Cameo® | For Lumen Beings

NEW PRODUCTS

NEW

Illuminant type: LED white
Illuminant power: 300 W

5 other versions

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AZOR® SP2 IP

Compact IP65 Spot Profile Moving Head

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Illuminant type: LED RGBALC
Illuminant power: 600 W

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High Output Full-Spectrum Ellipsoidal

NEW

Max. air thoughput: 77 m³/min
Wind speed: 17 m/s

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INSTANT AIR 3000

Wind machine with variable fan speed and wind direction

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Illuminant type: LED RGBW
Luminous flux: 4,000 lm

8 other versions

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PIXBAR® SMD Short IP G2

IP65 SMD LED Bar Short

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Illuminant type: LED RGBWA+UV
LED data: 16 x 12 W LED RGBWA+UV (4 x 4)

2 other versions

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ROOT® BAR 6

16 x 12 W RGBAW + UV-LED Bar

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Illuminant type: LED RGBW
LED data: 480 x 0.2 W LED RGB (24 x 20) | 240 x 0.5 W LED white

2 other versions

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ROOT® BAR SMD

SMD-LED Bar

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Illuminant type: LED RGBW
Illuminant power: 8 W

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ROOT® PAR IP

LED Outdoor Spotlight

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Colour: Black
Width: 100 mm

2 other versions

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DURA® LINE 100 LOUVER SET

Louver Set for DURA® LINE 100

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Colour: Black
Width: 100 mm

2 other versions

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DURA® LINE 50 LOUVER SET

Louver Set for DURA® LINE 50

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ARCHITECTURAL

RENTAL

THEATRE & BROADCAST

DJ & MUSICIANS

THE NEW PREMIUM STANDS BY GRAVITY®

Gravity® is an award-winning line of stands and accessories for stage and studio use and a brand of the Adam Hall Group. Expert engineers and users have teamed up to create thoroughly professional products with innovative details such as our unique colour coding rings.

Two years of extensive research and development have resulted in a comprehensive selection of high-quality stands and accessories that are built for reliable functionality and longevity. Gravity® products are made of superior materials only including thick-walled precision tubing, die-cast zinc and double injection molded thermoplastics.

A unique experience – Donny Montell pushes the boundaries with Cameo A unique experience – Donny Montell... A unique experience – Donny Montell pushes the... A unique experience – Donny Montell pushes the boundaries with Cameo

One thing has been certain for many years: Donny Montell’s concerts are unique experiences. Following “2057” (2022) and “360” (2023), the Lithuanian pop superstar returned to Kaunas, Lithuania, at the end of 2024 to play another groundbreaking show in front of 10,000 spectators at the Žalgiris Arena. Once again on board: Baltic Production Service (as overall technical service provider), Marfa Lights (as stage, video and lighting design studio) and 350 Cameo lights. “A Donny Montell concert cannot be reduced to a standard formula – every show is unique and distinctive,” explains Andrius Stasiulis from Marfa Lights. “Donny only plays one big show every year. As such, he wants to push the boundaries anew with every production and eclipse everything that has gone before.” For the latest production, Marfa Lights and Baltic Production Service created a multi-level stage design that combined huge LED surfaces, sophisticated visuals and a diverse lighting set-up to create depth on multiple stage levels. “We arranged the visual elements on the stage on several levels to create an immersive environment: a large LED screen in the background, the musicians in front of it, then a transparent LED screen, Donny Montell and the dancers in front of it One thing has been certain for many years: Donny Montell’s concerts are unique experiences.... One thing has been certain for many years: Donny Montell’s concerts are unique experiences. Following... One thing has been certain for many years: Donny Montell’s concerts are unique experiences. Following “2057” (2022) and “360” (2023), the Lithuanian pop superstar returned to Kaunas, Lithuania, at...

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On par with the best clubs in the world – AMØK on Mallorca relies entirely on Cameo

On par with the best clubs in the world – AMØK on Mallorca relies... On par with the best clubs in the world... On par with the best clubs in the world – AMØK on... On par with the best clubs in the world – AMØK on Mallorca relies entirely on Cameo

No club has caused more of a stir on Mallorca in the past year than AMØK. Opened in 2024, the massive project by former Pascha Group CEO, Oscar Ruiz del Rio, and British singer Recardo Patrick has quickly become the new party highlight on the island. In addition to club nights, AMØK offers all the right conditions for high-end corporate events, meetings, incentives, conventions, and exhibitions (MICE). The Mallorcan AV integrator ShowCenter was responsible for the lighting technology in the club and exclusively used Cameo lights for this purpose. “The operators wanted a lighting technology set-up in the same league as the world’s best clubs,” recalls ShowCenter CEO Julio Caamaño. “After scoping the market with the Location Designer Pedro Mercé and carrying out extensive tests, it was clear to us that we would use Cameo for all light placements.” ShowCenter has been one of the largest AV installation service providers on Mallorca for many years and has a wealth of experience in the audiovisual outfitting of hotels, restaurants, bars, and clubs. Nevertheless, AMØK has a special place in the company’s reference portfolio: “From the start, both the operators and the Technical Director Willy Serra provided us with the confidence needed No club has caused more of a stir on Mallorca in the past year than AMØK. Opened in 2024,... No club has caused more of a stir on Mallorca in the past year than AMØK. Opened in 2024, the massive... No club has caused more of a stir on Mallorca in the past year than AMØK. Opened in 2024, the massive project by former Pascha Group CEO, Oscar Ruiz del Rio, and British singer Recardo Patrick has...

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When wedding dreams come true: LD Systems QUESTRA takes control of audio & lighting at The Grand

When wedding dreams come true: LD Systems QUESTRA takes control of audio... When wedding dreams come true: LD... When wedding dreams come true: LD Systems QUESTRA... When wedding dreams come true: LD Systems QUESTRA takes control of audio & lighting at The Grand

A majestic stage for a very special day: ‘The Grand Banqueting Suite’ in Bradford, England is primarily aimed at wedding parties from Asia and offers everything that characterises a magnificent wedding celebration: Plasterwork on walls and ceilings, neoclassical columns, gigantic chandeliers and sweeping staircases for the grand entrance. To ensure that the ‘wow’ factor is also emphasised acoustically, the team from ShropshireNet Limited opted for a multi-zone sound system based on audio solutions from LD Systems. Centralised audio and lighting control is provided by QUESTRA Design & Management Software. The Grand Banqueting Suite includes several areas spread over three floors: via the entrance hall on the ground floor, visitors enter the impressive main hall with a capacity of 1,500 people. This is where an essential element of every Asian wedding takes place: the bride & groom entrée, the joint entrance of the wedding couple. A second entrance on the upper floor leads to two further rooms for around 800 people, complemented by a spacious outdoor area. ‘We aimed for a system that would be powerful, yet visually discreet and blend in seamlessly with the venue.’ Jonathon Hanleyphillips, ShropshireNet Sound for the highest demands ‘The venue management asked for a sound A majestic stage for a very special day: ‘The Grand Banqueting Suite’ in Bradford, England... A majestic stage for a very special day: ‘The Grand Banqueting Suite’ in Bradford, England is primarily... A majestic stage for a very special day: ‘The Grand Banqueting Suite’ in Bradford, England is primarily aimed at wedding parties from Asia and offers everything that characterises a magnificent...

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Interview: Aaron J. Dootson, lighting designer for “Into the Woods” at NYMT London

Interview: Aaron J. Dootson, lighting designer for “Into the Woods” at... Interview: Aaron J. Dootson, lighting... Interview: Aaron J. Dootson, lighting designer for... Interview: Aaron J. Dootson, lighting designer for “Into the Woods” at NYMT London

During 2024, the National Youth Music Theatre (NYMT) put on three musicals in London, and showcased actors who were all teenagers and young adults between the ages of 11 and 23 who were cast during extensive auditions. Three different British lighting designers were responsible for the lighting design – two of whom we have already introduced: Jamie Platt, lighting designer for “Our House”, and Bethany Gupwell, lighting designer for “Catastrophe Bay”. Aaron J. Dootson concludes our interview series with “Into the Woods” from the pen of legendary musical composer Stephen Sondheim. Aaron, what have been the highlights of your career as a lighting designer up until now? Aaron J. Dootson: Firstly, the Off West End Award 2023 for my work as lighting designer on the play “The Night Larry Kramer Kissed Me” at New Wimbledon Studios, and secondly the Chester Mystery Plays in 2023 at the famous Chester Cathedral, which was also featured in the FOCUS magazine of the Association for Lighting Production and Design (ALPD). What important experiences have you gained from these groundbreaking projects? Aaron J. Dootson: This applies not only to these two projects, but actually to all shows: How can you achieve high production standards efficiently During 2024, the National Youth Music Theatre (NYMT) put on three musicals in London, and... During 2024, the National Youth Music Theatre (NYMT) put on three musicals in London, and showcased actors... During 2024, the National Youth Music Theatre (NYMT) put on three musicals in London, and showcased actors who were all teenagers and young adults between the ages of 11 and 23 who were cast during...

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Cameo at Prolight + Sound 2025: lighting highlights and a new brand look Cameo at Prolight + Sound 2025:... Cameo at Prolight + Sound 2025: lighting highlights... Cameo at Prolight + Sound 2025: lighting highlights and a new brand look

At this year’s Prolight + Sound in Frankfurt am Main (8-11 April), Cameo will not only be presenting its new lighting solutions, but also a new brand look. Don’t worry: trade fair visitors need only look for the characteristic chameleon in the light hall to find the Cameo stand (12.1, B24) – everything else is part of the Cameo brand evolution. The new brand identity, including the new stand design, invites visitors to discover the latest product innovations from Cameo. The rebranding of the Cameo brand goes beyond mere visuals and embodies the brand’s commitment to improving the customer experience, promoting sustainable developments and constantly pushing the boundaries of lighting technology. In addition to the brand-new P6 LED profile light with full-colour LED and the compact AZOR SP2 IP65 spot profile moving head, Cameo will also of course be showcasing its groundbreaking ORON H2 and OPUS X4 high-end moving heads. The Cameo trade fair appearance will be rounded off with a shuttle service to the Adam Hall Group Experience Center, including a visit to the showroom and an exclusive surround experience using the latest Cameo lights. The Cameo trade fair highlights at a glance: AZOR SP2 IP The moving heads At this year’s Prolight + Sound in Frankfurt am Main (8-11 April), Cameo will not only... At this year’s Prolight + Sound in Frankfurt am Main (8-11 April), Cameo will not only be presenting... At this year’s Prolight + Sound in Frankfurt am Main (8-11 April), Cameo will not only be presenting its new lighting solutions, but also a new brand look. Don’t worry: trade fair...

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Interview: Lighting designer Bethany Gupwell talks about working with young talent at NYMT, London

Interview: Lighting designer Bethany Gupwell talks about working with... Interview: Lighting designer Bethany... Interview: Lighting designer Bethany Gupwell talks... Interview: Lighting designer Bethany Gupwell talks about working with young talent at NYMT, London

In the second part of our series of interviews about London’s National Youth Music Theatre (NYMT), we talk to Bethany Gupwell about her work as lighting designer for Catastrophe Bay. The musical was the second production of NYMT’s three-part 2024 summer season and transported the audience to a fictional place populated by exotic characters from around the world. As with the other two musicals – Into the Woods and Our House – this production was realised entirely with young, non-professional performers aged between 11 and 23. In the interview, Bethany talks about the particular challenges of working with a young, inexperienced team and wonders how young people can be persuaded to work in theatre and the live industry. Bethany, how do NYMT productions differ from your other jobs as a lighting designer? Bethany Gupwell: Most professional productions prioritise the outcome and how best to tell the story. Of course, this is always a crucial part of any show, but with a show where education is a priority, it’s also about soft skills, the most important takeaway becomes giving young people the opportunity to get an insight into what we do and understand how a production of this kind works rather In the second part of our series of interviews about London’s National Youth Music... In the second part of our series of interviews about London’s National Youth Music Theatre (NYMT), we... In the second part of our series of interviews about London’s National Youth Music Theatre (NYMT), we talk to Bethany Gupwell about her work as lighting designer for Catastrophe Bay. The...

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A unique experience – Donny Montell pushes the boundaries with Cameo A unique experience – Donny Montell... A unique experience – Donny Montell pushes the... A unique experience – Donny Montell pushes the boundaries with Cameo

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On par with the best clubs in the world – AMØK on Mallorca relies... On par with the best clubs in the world... On par with the best clubs in the world – AMØK on... On par with the best clubs in the world – AMØK on Mallorca relies entirely on Cameo

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When wedding dreams come true: LD Systems QUESTRA takes control of audio... When wedding dreams come true: LD... When wedding dreams come true: LD Systems QUESTRA... When wedding dreams come true: LD Systems QUESTRA takes control of audio & lighting at The Grand

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Interview: Aaron J. Dootson, lighting designer for “Into the Woods” at... Interview: Aaron J. Dootson, lighting... Interview: Aaron J. Dootson, lighting designer for... Interview: Aaron J. Dootson, lighting designer for “Into the Woods” at NYMT London

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Cameo at Prolight + Sound 2025: lighting highlights and a new brand look Cameo at Prolight + Sound 2025:... Cameo at Prolight + Sound 2025: lighting highlights... Cameo at Prolight + Sound 2025: lighting highlights and a new brand look

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Interview: Lighting designer Bethany Gupwell talks about working with... Interview: Lighting designer Bethany... Interview: Lighting designer Bethany Gupwell talks... Interview: Lighting designer Bethany Gupwell talks about working with young talent at NYMT, London

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A unique experience – Donny Montell pushes the boundaries with Cameo A unique experience – Donny Montell... A unique experience – Donny Montell pushes the... A unique experience – Donny Montell pushes the boundaries with Cameo

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On par with the best clubs in the world – AMØK on Mallorca relies... On par with the best clubs in the world... On par with the best clubs in the world – AMØK on... On par with the best clubs in the world – AMØK on Mallorca relies entirely on Cameo

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When wedding dreams come true: LD Systems QUESTRA takes control of audio... When wedding dreams come true: LD... When wedding dreams come true: LD Systems QUESTRA... When wedding dreams come true: LD Systems QUESTRA takes control of audio & lighting at The Grand

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Interview: Aaron J. Dootson, lighting designer for “Into the Woods” at... Interview: Aaron J. Dootson, lighting... Interview: Aaron J. Dootson, lighting designer for... Interview: Aaron J. Dootson, lighting designer for “Into the Woods” at NYMT London

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Cameo at Prolight + Sound 2025: lighting highlights and a new brand look Cameo at Prolight + Sound 2025:... Cameo at Prolight + Sound 2025: lighting highlights... Cameo at Prolight + Sound 2025: lighting highlights and a new brand look

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Interview: Lighting designer Bethany Gupwell talks about working with... Interview: Lighting designer Bethany... Interview: Lighting designer Bethany Gupwell talks... Interview: Lighting designer Bethany Gupwell talks about working with young talent at NYMT, London

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